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Robb Eden From Hampstead, London, Robb joined Radio Northsea
International on 7th August 1970, aged 18. He initially only stayed until the end of the month. He was waiting to rejoin
the station when it closed down in September. A year later, with RNI now back in action, Robb returned, having in the
meantime been working in a London club. He was fired from RNI on 23rd August 1972, after an incident in which some
300 Dutch records were thrown over the side of the ship! He did return to the air on 30th November but only broadcast
occasionally, as he was mainly employed as the station's UK representative. From late 1973 he presented a weekly
pre-recorded show of rock music on Sunday nights, The Contemporary Music Programme. In April 1974 he moved
from RNI to Caroline, presenting his first show on 3rd May. Again he mainly acted as UK rep and only presented the
occasional show. In August 1974 he left Caroline to join Liverpool's Radio City and the following September moved to
Capitol Records. A year later he was seconded to EMI Europe where he was instrumental in developing synchronised release
for EMI product throughout Europe. He also managed a couple of Dutch rock bands. For a while he was UK representative
for the Israeli offshore station, the Voice of Peace and, in 1977, started the Caroline Roadshow, a very successful heavy
rock disco. He was production manager on BRMB Radio and Chiltern Radio and worked as a consultant on a number of projects
for the Virgin Group including Music Box, Virgin Atlantic Airways and Virgin Radio. He was also involved with Chris Cary
(alias Spangles Muldoon) in his short-lived Radio Nova International
satellite station. In 1999 he started a campaign to persuade the BBC to play more unsigned music. This led, in 2001, to
the launch of his website www.jacobsladder.org.uk and, more
recently, a decision to promote unsigned music through the growing network of community radio stations. Many of the acts
he has worked with can be heard at www.northcotswoldonline.com
where Robb presents the Saturday morning show. He also works in charity fund-raising. Robb attended Radio Caroline's
fortieth birthday party in March 2004. There is a picture here. There are also pictures of him at
the 2005 Radio Day in Amsterdam. (With many thanks to Robb for his help with the above. The photo is from an issue of
Wavelength magazine.)
Nigel Elgin was a student at London University who worked on Radio
Caroline from 30th July to 6th September 1975 during his summer vacation. He injected some scripted humour into his
presentation which was somewhat at odds with the more naturalistic style of the other DJs. The
Pirate Radio Hall Of Fame was delighted to hear from Nigel, who told us about his time with the station:
My first involvement was when I was asked to submit a demo tape by a mate of mine who worked for Phonogram Records.
I was then asked to meet him in a pub in Fulham one evening. There I was introduced to (station founder) Ronan
O'Rahilly. The main topic of conversation was Loving Awareness and a few days later I was given instructions
on how to get to Radio Caroline. The journey to the mv Mi Amigo was memorable as the sea was like glass. 1975 was a HOT
summer and I used to finish my show around 2am and then go up on deck and watch the stars and, when conditions were right,
the electric storms from afar. Indeed it was so hot I was happy to attempt an all-over tan during the day - the
only task being to keep popping in the pre-recorded tapes for the Flemish Radio Mi Amigo which was the mainstay of
daytime broadcasting. Apart from that, I used the vacant studio to pre-record novelty items and jingles for inserts
within my shows. The humourous content didn't always go down well and I was admonished once by, I believe, the
ship's captain (or maybe Peter Chicago?) but I held my corner as the
theme was no different to my audition tape which, presumably, had led to my involvement. I had brought a number of records
with me including Jasper Carrott's Funky Moped and we were the only radio station playing the B-side
Magic Roundabout, which was a regular item in my show at 1am. I believe it had been banned by the BBC so it was fun
watching Funky Moped zooming up the charts and Jasper having to sing it on Top Of The Pops, knowing that
there was every chance that it was Radio Caroline that was breaking it via Magic Roundabout. (I believe it also
got plenty of exposure at night clubs/discos so I won't take all the blame/credit.) One day we were
treated to a low flying plane with what looked like Dutch Air Force colours. There was someone hanging out of the door
filming us. We waved! When our six weeks were up, the tender that picked us up had, amongst others, Ronan O'Rahilly
on board. As we were about to enter Boulogne (?) harbour, the harbour police intercepted us and we were held
until the early hours in their jail - although not behind bars. We feared the worst but, in the middle of the night
they let us go. The impression given was that they did not take kindly to being told what to do by Interpol and we stuck to
our story that we were just sightseers and argued that we could not have been on board because the same DJs were broadcasting
that night as had been for many weeks. Of course we did not divulge that these were our pre-recorded exit shows. In
the morning, rather than going back to England and potentially being greeted by UK Customs officials on arrival,
Michael Lloyd and I decided to stay on the Continent for a while. I headed for Belgium as I
had met and interviewed Raymond Vincent, lead violinist with the Wallace Collection and Esperanto, and I knew that a
relation of his (brother-in-law?) was involved with Radio Mi Amigo. Fortunately I was able to find
his palatial residence and he kindly lent me some money so that I could get home via a different route. The journey back
across the channel was uneventful. I made sure I was the first off the ferry and strolled boldly through the Nothing
To Declare exit. Then I could start breathing normally again! I was unable to go back after my six-week
break as I was still a student at London University, although whether I would have been asked back is open to question.
Just as well I didn't go back as I would have landed up in clink, along with Michael, as this next stint resulted in
the ship drifting into territorial waters in November 1975. (With many thanks to Nigel for the information
and the photo. Thanks also to Ian Biggar and Bob Lawrence for pointing out that Nigel's theme tune was Catalan
by Greenslade.)
Chris Elliott joined Radio Caroline on 9th January 1976. He left
on 4th April, having celebrated his 23rd birthday while on board, on 26th.March. We do not know much about him except
that he later worked on the London community station, Radio Thamesmead. If you can add to this meagre biographical entry,
please email
us. He is not the Chris Elliot who wrote The Wonderful Radio London Story.
Debbie England Husband and wife team, Steve and Debbie England
had previously run a mobile disco business together. They joined Radio Caroline in December 1972, Debbie as cook and
occasional DJ, Steve as full-time broadcaster. They left Caroline when it closed temporarily in June 1973 and, the
following February, signed up with Radio Atlantis. Debbie again broadcast occasionally. They stayed until the station
closed down in August 1974. (This photo by Steve England, kindly supplied by Chris Edwards of Offshore
Echos magazine.)

Steve England and his first wife Debbie
had run the Zap mobile disco business in Deal, Kent, before joining Radio Caroline in December 1972. They left Caroline
when it closed down temporarily in June 1973. They returned in October, although this time Steve was based on land helping
create the Mi Amigo jingles and working as a studio engineer recording taped shows. He wasn't happy with some of the
internal politics of the Caroline organisation and quit after three weeks. The couple returned to the UK. In early 1974
Steve joined Radio Atlantis and, in February, was appointed Programme Director of the English-language International
Service. Despite suffering from low transmitter power and limited resources, Atlantis proved very popular with those who
could receive it. However it only lasted until August 1974, closing when the Dutch introduced their anti-pirate legislation.
Steve then joined Piccadilly Radio in Manchester and soon became Commercial Production Manager. He later set up his own
company, Alfasound, to record radio jingles and commercials. After eighteen years a dispute with his partners led to its
closure in 1998. He now runs the audio production company S2blue
with his son Simon. Steve does voice-over work, produces radio commercials and jingles, and is the UK & Eire
representative for JAM Creative Productions and PAMS Productions Inc. More details are available from
www.steveengland.com. (Our grateful thanks to Steve
for the information, the recording and the photo. Steve has very kindly provided a number of photos which appear
throughout the Seventies Supplement. There are also some more here.)
Barry Everitt has worked in and around the music business for
many years. Back in the sixties he was a drummer in blues bands Hobo James and The Farm. A sports journalist on The
Romford Times / Stratford Express, he became interested in the burgeoning underground press of the
late sixties and contrbuted to some of the publications, including Friendz, International Times and Oz.
In 1970 he was heard on the freeform hippy station from Monte Carlo, Radio Geronimo (as was
Ian Anderson). Sadly Geronimo did not last. Barry then travelled to New York and
helped launch WPLJ-FM. In 1972 he started Revelation Records with John Coleman. They released the
Glastonbury Fayre
triple LP recording of the previous year's Glastonbury festival. In July 1973 a number of ex-Geronimo DJs,
including Barry, launched Radio Seagull from the Caroline ship, then anchored off Holland. Barry broadcast on Radio
Seagull until September that year, then moved to America where he was heard on various radio stations (KSML, KFAT,
KDKB and the syndicated Rock Around The World programme) returning to the UK in 1981 to work at London's
legendary live music venue, Dingwalls. Since then he been a sound engineer, producer, tour manager, agent and done
numerous other jobs around the London music scene, spending many years as promoter at The Borderline club. He has can
now been be heard on the House of Mercy radio show which is broadcast on a number of different stations around the world.
For details, see www.houseofmercy.net. (This is a
recent photo. Can anyone provide one of Barry from his offshore days? Thanks to Barry for the information and the
picture.)
John Farlow (or Farlowe?) From Brighton in Sussex, John was on Radio Seagull for just one stint, lasting a fortnight, in August 1973. His colleague Graham Gill tells us that John is the younger brother of singer Chris Farlowe. Graham says that John was a good friend but sadly he has lost contact. Can anyone provide more information?
Martin Fisher From Chelmsford, Essex, Martin was introduced to the
joys of radio listening by his grandfather at an early age. Martin was a fan of the offshore stations of the sixties
and, on leaving school, followed his father and grandfather into the Marconi company where he became a technical
apprentice. He was listening to Radio Caroline in 1976 when he heard an advertisement for a transmitter engineer. Fired up
with enthusiasm he wrote off - and heard nothing. A few weeks later he noticed that the station was now giving
out a different mailing address. Thinking his original application may have got lost in the change-over, Martin wrote
again. A week later he was contacted and invited for an interview and, within a few more weeks, he was out on board the
Mi Amigo. He had applied to be an engineer but was invited to be a DJ too. His first show was in the early hours of 11th
January 1977 and he quickly became one of the station's regular presenters while still looking after the technical
side as well. He had been told he would be working one month on the ship, one month off, but when his first stint aboard lasted
eleven weeks, he realised that this was wishful thinking! Martin's last show from the Mi Amigo was on 26th June
1979. He tells us: I remember having a bit of a break after that, but I did go back to the Mi Amigo once more,
for just one week starting 15th September 1979. I was persuaded to return. The station was off the air. When I arrived on
board at 9.30 in the morning the ship was like a ghost ship with nothing running. By 3pm we were back on the air! I
had repaired a problem with the voltage regulator on the Henschel generator, and it was this generator that largely kept
the station going during the last few months from the Mi Amigo. I did not present any shows during that last week, as
there were a lot of jocks on board, all trying to squeeze into a few hours each evening. I had an interview lined up at
the BBC the following week. I joined BBC TV as an engineer in October. After nearly 3 years with Caroline, it was sadly
time to move on. Caroline had been a fantastic experience but clearly the Mi Amigo was not going to last for ever and for
various reasons it was time to move on. After his time with BBC television, Martin went on to work as an engineer
in commercial radio although he still found time to make a short return to Caroline in the eighties when it was
broadcasting from the Ross Revenge. He presented a few shows as The Night Owl in July/August 1985.
He can currently be heard on the Radio Caroline satellite
service. There are some photos of him in the station's former studios here. (This photo shows Martin on the air. He says Those orange T-shirts - we
were all wearing them at the time. They were like the Caroline uniform. Actually they were Miss Sheila T-shirts, one
of Radio Mi Amigo's advertisers. We did not get many perks on the ship at that time, so when a load of T-shirts
arrived we all had one. Our thanks to Martin for the information, the photo and the audio.)
Ed Foster Previously on land-based pirate,
Radio Kaleidoscope, where he had broadcast under the
name of Keith Ross Jenson, Ed was on Caroline from August 1976 to July 1977. His musical tastes leant towards
the heavier end of the rock spectrum which polarised opinions: some listeners loved it, others didn't. It is
thought that it was this difference of musical opinion that led to his parting of the ways with Radio Caroline. We do not
know where he is now. Ed, please
get
in touch (Photo taken by Ed's Dutch DJ colleague Marc Jacobs and kindly provided by Hans Knot. Thanks to
Bob Lawrence for some of the above information.)
